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Over the course of his multifaceted career, Will Lyman has been active in both the New York and Boston theatrical communities. Currently, he’s focusing on Boston-based productions. In fall of 2010, he took on the role of Ralph Nickleby in Charles Dickens’ The Life and Adventures of Nicholas Nickleby. Most recently, he portrayed Evan in Theresa Rebeck's DollHouse, an update of the Ibsen classic, for New Rep Theatre, where he will be seen again next year in Eugene O'Neill's Long Day's Journey into Night.

A sampling of regional theatre roles includes Joe Keller in Huntington Theatre’s production of Arthur Miller’s All My Sons [intro video; performance clips], Dr. Dysart in Equus at the Nora Theatre, Valmont in Les Liaisons Dangereuses at the George Street Playhouse, John Proctor in The Crucible at the Pennsylvania Stage, both men in Pinter's Betrayal, and Oberon in A Midsummer Night's Dream at the Denver Center for the Performing Arts.

Will’s theatre experience in New York includes productions of The Passion of Dracula at the Cherry Lane Theatre, Pinter's The Dwarfs, The Grinding Machine at The American Place, Howard Fast's The Novelist on Theatre Row, and Connor Larkin in a Broadway Workshop production of Leon Uris' six-hour adaptation of his epic Irish romance, Trinity. A complete listing of Will’s theatrical roles may be found here.

Referring to his performance as Claudius in the Commonwealth Shakespeare Company's tenth anniversary production of Hamlet, the reviewer from the Boston Globe said,"Lyman's transformation from confident king to Nixonian cover-upper is a model piece of acting." He was subsequently nominated for an Elliot Norton award.

An ex-classical bass player, Will has had the pleasure of performing vocally with two of the world's finest orchestras. 1989 saw him onstage with the Cleveland Symphony Orchestra as Ivan in Every Good Boy Deserves Favor. In 1990, Will narrated a treatment of Eisenstein's unproduced film Ivan the Terrible to Sergei Prokofiev's film score performed by the National Symphony under the direction of Mstislav Rostropovich at the Kennedy Center in Washington. [Listen!] In 1997, he was in Boston's Symphony Hall with the Handel & Haydn Society reading Jason to Claire Bloom's Medea.

Since 1998, Will has been closely associated with the Commonwealth Shakespeare Company where he has performed Brutus in Julius Caesar, Prospero in The Tempest and Claudius in Hamlet. He is currently Chairman of the Board of Trustees.

For a selection of photos and more, please explore Will's Multimedia Gallery
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